Were you around [‘Jedi’ director] Richard Marquand?
I met Marquand, but I was one of 9000 people getting the movie made. I did the Chicken Walkers [a.k.a. AT-ST Scout Walkers] — I was working on the Chicken Walkers. They had a lot of shots that were panning and tilting in the Redwood Forest in Crescent City and my job was to figure out a way to match move that stuff, which hadn’t been shot in motion control at all. So I was doing a lot of sitting in the dark and taking a mirror and taking registered interpositives and projecting them out of this vision cameras using … fuck, it was like a — I think we used little tiny leekos. It was crazy. I mean, when you think of ILM, you always think of this thing where it’s like NASA, or something: this is so thrown together and so half-ass. And I would projectile the camera on to these big cards — these big circular cards — and I would put a line on a tree. I would sit there with Jerry Jeffress’ early, early, early field motion control unit and program match move. I’d match move the plates for the pan and tilt, then I’d bring in the blue screen, bring in the go-motion unit, match the lighting, and put the Chicken Walkers into the shot.
That was my job, I was 18 or 19 years old.
Not a bad gig at that age.
No. I was a pig in shit, man. That was as much fun as I could imagine standing up. #
Fincher knows how to throw a great interview, no matter how you cut it, being both wonderfully honest, and dedicated to his films.